Last edited by Tujar
Friday, July 17, 2020 | History

2 edition of sixteenth century Greek book in Italy found in the catalog.

sixteenth century Greek book in Italy

Evro Layton

sixteenth century Greek book in Italy

printers and publishers for the Greek world

by Evro Layton

  • 6 Want to read
  • 15 Currently reading

Published by Istituto ellenico di studi bizantini e postbizantini di Venezia in Venice .
Written in English

    Places:
  • Italy
    • Subjects:
    • Printing, Greek -- Italy -- History -- 16th century.,
    • Publishers and publishing -- Italy -- History -- 16th century.

    • Edition Notes

      Includes bibliographical references (p. [553]-595) and index.

      StatementEvro Layton.
      SeriesLibrary of the Hellenic Institute of Byzantine and post-Byzantine studies ;, 16, Bibliothèque de l"Insitute hellénique d"études byzantines et post-byzantines de Venise ;, 16.
      Classifications
      LC ClassificationsZ228.G74 L38 1994
      The Physical Object
      Paginationxxxii, 611 p. :
      Number of Pages611
      ID Numbers
      Open LibraryOL877115M
      LC Control Number95163809

      Get this from a library! Reform thought in sixteenth-century Italy. [Elisabeth G Gleason;] -- Holiness Pope Paul III, -- The Benefieio di Christo, -- A treatise concerning baptism and the Lord's Supper, ca. / Camillo ://   This new volume in the series of National Gallery collection catalogues focuses on 16th-century Bologna and Ferrara. The Gallery holds the most important collection of these paintings outside Italy, including works by Garofalo representing his entire range as an artist; exquisite and grotesque miniature narratives by Mazzolino; a large masterpiece by the short-lived genius known as Ortolano

      The edition was the most widespread of Agricola so called “minor works”—an unfortunate and inappropriate designation of these books used by some modern historians that stems from their non-historical, direct comparison with the De re metallica (Agricola, ).The latter—the largest book that concluded Agricola's career as an expert in mining—was not published until a full In this first comprehensive study of patrons in the Italian quattrocento, Mary Hollingsworth shows how the patron--rather than the artist--carefully controlled both subject and medium in artistic creation. In a competitive and violent age, she explains, image and ostentation were essential statements of the patron's power. As a result, perceived cost became more important than artistic quality

      Get this from a library! Literature and artistic practice in sixteenth-century Italy. [Angela Cerasuolo; Helen Glanville, (Conservator)] -- In 'Literature and Artistic Practice in the Sixteenth Century' Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the Piero Pacini's edition of the Epistles of the Evangelists is considered the greatest Florentine illustrated book of the fifteenth century. It is the most notable book that Mr. Rosenwald purchased at the Dyson Perrins sale. The book contains large woodcuts, all but 8 original to this text, 24 small cuts of saints and prophets, and a series


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Sixteenth century Greek book in Italy by Evro Layton Download PDF EPUB FB2

The Sixteenth Century Hebrew Book is a bibliographic work describing books printed sixteenth century Greek book in Italy book Hebrew letters in that century, covering the gamut of Hebrew literature, encompassing liturgical works, Bibles, commentaries, Talmud, Mishnah, halakhic codes, kabbalistic works, fables, and :// The sixteenth century Greek book in Italy: Printers and publishers for the Greek world (Library of the Hellenic Institute of Byzantine and post-Byzantine studies) [Layton, Evro] on *FREE* shipping on qualifying offers.

The sixteenth century Greek book in Italy: Printers and publishers for the Greek world (Library of the Hellenic Institute of Byzantine and post-Byzantine studies) › Books › Computers & Technology › Graphics & Design. Evro Layton, The sixteenth century Greek book in Italy.

Printers and publishers for the Greek world. Venice: Library of the Hellenic Institute of Byzantine and post-Byzantine Studies No. 16,- Volume 20 - David Holton For a comprehensive list on the subject, see Marvin J.

Heller, The Sixteenth Century Hebrew Book (Leiden: Brill, ), Vol. II, pp. One important addition to the growing bibliography is the recently-published collection of essays in The Hebrew Book in Early Modern Italy, eds. Joseph R. Hacker and Adam Shear (Philadelphia: University In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art.

Having traced the critical fortunes of the texts of the authors--Leonardo, Vasari, Armenini, Borghini, Lomazzo--she compares the information on drawing and painti See Heller, The Sixteenth Century Hebrew Book, p.

xiii (Introduction).Back to text; See Aaron Freiman, A Gazetteer of Hebrew Printing (New York: New York Public Library, ).Back to text; Both the First Rabbinic Bible, as well as the Iggeret Baᶜale Hayyim listed somewhat below that, are examples of important books that entered the Library of Congress during the past ten years and not via   THE SIXTEENTH CENTURY IN EUROPE motifs and he is resting his figures on a book which is inscribed in Greek.

HIGH RENAISSANCE IN ITALY • The early part of the sixteenth century was a time of political stress and warfare in Italy. • InRome was sacked by A considerable number of these Byzantine intellectuals found work as scribes or teachers in the West, again especially in Italy (see N.

Wilson's book From Byzantium to Italy), where interest in Greek literature was so strong that by the end of the century a printing press devoted primarily to printing the Greek classics (the famous Aldine Press These sixteenth-century Hebrew books are a priceless possession.

Yet above and beyond the intrinsic value of the books themselves, they are valuable as evidence of two central features in the history of early modern Jews. a little town in northern Italy. This was the fourth book printed at the small Hebrew press founded by Tobias Foa in   In the decades after the groundbreaking innovations in the printing of Greek type achieved by Aldus Manutius (–) in Venice in the late 15th century, one may have expected the output of Greek manuscripts to decline.

In fact, quite the opposite occurred. Aldus’ success in producing affordable, elegant editions contributed to an increase in demand for Greek literature in Western :// Get this from a library. The sixteenth century Greek book in Italy: printers and publishers for the Greek world.

[Evro Layton]   Buy Patronage in the Sixteenth Century Italy First Edition by Hollingsworth, Mary (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible  › Arts & Photography › History & Criticism › History.

An illustration of an open book. Books. An illustration of two cells of a film strip. History of the progress and suppression of the Reformation in Italy in the sixteenth century: including a sketch of the history of the Reformation in the Grisons by or other accurate critics dealing with the original greek One of the most distinguished publishers active in Venice at the turn of the sixteenth century was Aldus Manutius, famed for his editions of Greek works, for pioneering new typefaces such as the italic, and for the magnificent Hypnerotomachia Poliphili.

Another innovation introduced by Aldus was the intimate handheld book in octavo :// Many people know about the time period of the Reformation, (the struggle for human right and democracy in the s and s).

Sometimes, the struggle for rights (against the Vatican Hierarchy and the Aristocrats) seems omitted from the comprehensive historic :// Book Description. The sixteenth century was a period of tumultuous religious change in Italy as in Europe as a whole, a period when movements for both reform and counter-reform reflected and affected shifting religious :// After Raphael is the first comprehensive overview of sixteenth-century Italian painting to be published in over thirty years.

Reevaluating the paintings of Raphael, Michelangelo, Pontormo, Rosso, Bronzino, Salviati, and their followers in the light of recent research, Marcia Hall offers a new interpretation for the stylistic shifts that occurred after About This Award.

The Roland H. Bainton Book Prizes are named in honor of one of the most irenic church historians of the twentieth H. Bainton was professor of church history at the seminary of Yale University for many years, the advisor of many Ph.D.

students, the author of over a dozen important books, and an ardent supporter of early modern :// Erasmus and Luther (His Thought and expression in the sixteenth century, book 2) by Taylor, Henry Osborn A readable copy. All pages are intact, and the cover is intact.

Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure Buy Patronage in Renaissance Italy:From to the Early Sixteenth Century: From to the Early 16th Century by Hollingsworth, Mary (ISBN: ) from Amazon's Book Store.

Everyday low prices and free delivery on eligible  › Arts & Photography › History & Criticism › History. Fifteenth-Century Carthusian Reform argues that monastic theology offers a medieval Catholic paradigm distinct from the scholastic theology that has been the conventional source for medieval-oriented interpretations of Renaissance and Reformation.

It is based on thorough study of the manuscript record. Nicholas Kempf (ca. ) taught at the University of Vienna before becoming the head Harmony attained: Tuscany and Rome, early sixteenth century: Light and colour: Venice and northern Italy in the early sixteenth century: The new learning spreads: Germany and the Netherlands in the early sixteenth century: A crisis of art: Europe, later sixteenth century: Vision and visions: Catholic Europe, first half of the seventeenth Get this from a library!

Patronage in sixteenth-century Italy. [Mary Hollingsworth] -- Investigates the impact of political and religious change on the motivations of sixteenth-century patrons, how they acquired their wealth, their relationships with artists and advisers, and the